Call It Anything We Want

Marilyn Hacker

There are lines of yours I know by heart. There are scents of yours soaked in my skin.

Marilyn Hacker

praise poets and their pens

JP Howard

praise daily poems in my inbox
how they make me laugh in one stanza,
then break my heart the next
praise how poets hold onto our first loves,
and scent of mama, now gone
praise how we nurture our child self,
gently wrap her around stanzas,
baby girl is resilient
praise our spunk and our sadness,
let our writing heal
at home, at work, in cafés, even in the ICU
praise how we hold our memories up to light,
gentle and cupped in palm of hands
praise our rough and sexy poems,
sometimes that’s all we need
fiyah in the sheets
praise bebop and jazz
how my foot taps when i
speak your poems out loud
praise power of music and mama
who played Nancy Wilson all night long,
crying behind a closed door.
praise how i wrote a new poem this week,
while my sick child laid on my lap,
because everyone needs to heal, especially mamas.

 
 
 

 

On Marriage

by Marilyn Hacker
 
Epithalamion? Not too long back
I was being ironic about “wives.”
It’s very well to say, creation thrives
on contradiction, but that’s a fast track
shifted precipitately into. Tacky,
some might say, and look mildly appalled. On
the whole, it’s one I’m likely to be called on.
Explain yourself or face the music, Hack.
No law books frame terms of this covenant.
It’s choice that’s asymptotic to a goal,
which means that we must choose, and choose, and choose
momently, daily. This moment my whole
trajectory’s toward you, and it’s not losing
momentum. Call it anything we want.

As, Bearing Gifts, I Come

Joyce Kilmer (1886 – 1918)

I make the most of all that comes and the least of all that goes.

Sara Teasdale

Alarm Clock

by Joyce Kilmer

When Dawn strides out to wake a dewy farm
Across green fields and yellow hills of hay
The little twittering birds laugh in his way
And poise triumphant on his shining arm.
He bears a sword of flame but not to harm
The wakened life that feels his quickening sway
And barnyard voices shrilling “It is day!”
Take by his grace a new and alien charm.

But in the city, like a wounded thing
That limps to cover from the angry chase,
He steals down streets where sickly arc-lights sing,
And wanly mock his young and shameful face;
And tiny gongs with cruel fervor ring
In many a high and dreary sleeping place.

 


Madness

(For Sara Teasdale)

by Joyce Kilmer

The lonely farm, the crowded street,
The palace and the slum,
Give welcome to my silent feet
As, bearing gifts, I come.

Last night a beggar crouched alone,
A ragged helpless thing;
I set him on a moonbeam throne —
Today he is a king.

Last night a king in orb and crown
Held court with splendid cheer;
Today he tears his purple gown
And moans and shrieks in fear.

Not iron bars, nor flashing spears,
Not land, nor sky, nor sea,
Nor love’s artillery of tears
Can keep mine own from me.

Serene, unchanging, ever fair,
I smile with secret mirth
And in a net of mine own hair
I swing the captive earth.

Some Remote And Quiet Stair

Charlotte Mew (1869 – 1928)

“before I die I want to see

The world that lies behind the strangeness of your eyes”

Charlotte Mew

Not for That City

By Charlotte Mew
 
Not for that city of the level sun,
     Its golden streets and glittering gates ablaze—
     The shadeless, sleepless city of white days,
White nights, or nights and days that are as one—
We weary, when all is said , all thought, all done.
     We strain our eyes beyond this dusk to see
     What, from the threshold of eternity
We shall step into. No, I think we shun
The splendour of that everlasting glare,
   The clamour of that never-ending song.
   And if for anything we greatly long,
It is for some remote and quiet stair
     Which winds to silence and a space for sleep
     Too sound for waking and for dreams too deep.
 
 
 

Rooms

By Charlotte Mew
 
I remember rooms that have had their part
     In the steady slowing down of the heart.
The room in Paris, the room at Geneva,
The little damp room with the seaweed smell,
And that ceaseless maddening sound of the tide—
     Rooms where for good or for ill—things died.
But there is the room where we (two) lie dead,
Though every morning we seem to wake and might just as well seem to sleep again
     As we shall somewhere in the other quieter, dustier bed
     Out there in the sun—in the rain.

I Have Not The Cloudy Winds To Keep

John Keats (1795 – 1821)

Even bees, the little almsmen of spring bowers, know there is richest juice in poison flowers.

John Keats

On Seeing the Elgin Marbles

by John Keats

My spirit is too weak—mortality
Weighs heavily on me like unwilling sleep,
And each imagined pinnacle and steep
Of godlike hardship tells me I must die
Like a sick eagle looking at the sky.
Yet ‘tis a gentle luxury to weep,
That I have not the cloudy winds to keep,
Fresh for the opening of the morning’s eye.
Such dim-conceived glories of the brain
Bring round the heart an indescribable feud;
So do these wonders a most dizzy pain,
That mingles Grecian grandeur with the rude
Wasting of old Time—with a billowy main—
A sun—a shadow of a magnitude.


 

The Human Seasons

By John Keats 
 
Four Seasons fill the measure of the year;
     There are four seasons in the mind of man:
He has his lusty Spring, when fancy clear
     Takes in all beauty with an easy span:
He has his Summer, when luxuriously
     Spring’s honied cud of youthful thought he loves
To ruminate, and by such dreaming high
     Is nearest unto heaven: quiet coves
His soul has in its Autumn, when his wings
     He furleth close; contented so to look
On mists in idleness—to let fair things
     Pass by unheeded as a threshold brook.
He has his Winter too of pale misfeature,
.     . Or else he would forego his mortal nature. 

 



I’ll Take It All

Ada Limon

“Is the spring coming?” he said. “What is it like?”…

“It is the sun shining on the rain and the rain falling on the sunshine…”

Frances Hodgson Burnett, The Secret Garden

Instructions on Not Giving Up

by Ada Limon

More than the fuchsia funnels breaking out
of the crabapple tree, more than the neighbor’s
almost obscene display of cherry limbs shoving
their cotton candy-colored blossoms to the slate
sky of Spring rains, it’s the greening of the trees
that really gets to me. When all the shock of white
and taffy, the world’s baubles and trinkets, leave
the pavement strewn with the confetti of aftermath,
the leaves come. Patient, plodding, a green skin
growing over whatever winter did to us, a return
to the strange idea of continuous living despite
the mess of us, the hurt, the empty. Fine then,
I’ll take it, the tree seems to say, a new slick leaf
unfurling like a fist to an open palm, I’ll take it all.

 
 

Young Lambs

by John Clare

The spring is coming by a many signs;
The trays are up, the hedges broken down,
That fenced the haystack, and the remnant shines
Like some old antique fragment weathered brown.
And where suns peep, in every sheltered place,
The little early buttercups unfold
A glittering star or two–till many trace
The edges of the blackthorn clumps in gold.
And then a little lamb bolts up behind
The hill and wags his tail to meet the yoe,
And then another, sheltered from the wind,
Lies all his length as dead–and lets me go
Close bye and never stirs but baking lies,
With legs stretched out as though he could not rise.

I Listen For Wind

Janice Gould (1949 – 2019)
 

Six Sonnets of The West

 
by Janice Gould
 
6
Her hand on my thigh, my shoulder,
in my hair. She leans over to kiss my cheek.
We look at each other, smile. For miles
we travel this way, nearly silent, point
with eyes or chins at the circling hawk, the king-
fisher on the snag above the swollen
creek. One night I weep in her arms
as she cries, “Oh, oh, oh!” because I have touched
her scars lightly: throat, belly, breasts.
In that communion of lovers, thick sobs
break from me as I think of my love
back home, all that I have done
and cannot say. This is the first time
I have left her so completely, so alone.


Cante Jondo

by Janice Gould

Wind taps the window at night,
whistles through cracks and keyholes,
summoning.  Along the snowy ridge
she moans a black siguiriya.

I work as darkness encloses my house,
sleep dreamlessly in the afternoon.
When I awaken, burning and hungry,
I listen for wind.  She’ll come

scratching holes in sandy soil,
kicking up gravel, sobbing and singing,
the train of her dark skirt
swaggering magnificently

So I Say To Thee

John-Donne
John Donne (1572 – 1631)

“I am two fools, I know, For loving, and for saying so.”

John Donne

The World’s Last Night

by John Donne

What if this present were the worlds last night?
Marke in my heart, O Soule, where thou dost dwell,
The picture of Christ crucified, and tell
Whether that countenance can thee affright,
Teares in his eyes quench the amasing light,
Blood fills his frownes, which from his pierc’d head fell.
And can that tongue adjudge thee unto hell,
Which pray’d forgivenesse for his foes fierce spight?
No, no; but as in my idolatrie
I said to all my profane mistresses,
Beauty, of pitty, foulnesse onely is
A signe of rigour: so I say to thee,
To wicked spirits are horrid shapes assign’d,
This beauteous forme assures a pitious minde.


Holy Sonnet: XII

by John Donne

WHY are wee by all creatures waited on?
Why doe the prodigall elements supply
Life and food to mee, being more pure than I,
Simple, and further from corruption?
Why brook’st thou, ignorant horse, subjection?
Why dost thou bull, and bore so seelily
Dissemble weaknesses and by’one mans stroke die,
Whose whole kinde, you might swallow and feed upon?
Weaker I am, woe is mee, and worse than you,
You have not sinn’d, nor need be timorous.
But wonder at a greater wonder, for to us
Created nature doth these things subdue,
But their Creator, whom sin, nor nature tyed,
For us, his Creatures, and his foes, hath dyed.

The Pearl Has Its Own Song

Mihaela Moscaliuc

The impulse to create is pure, self sufficient, its own reward or punishment.

Vernon Scannell, A Proper Gentleman.

Nettles

by Vernon Scannell (1922 – 2007)

My son aged three fell in the nettle bed.
‘Bed’ seemed a curious name for those green spears,
That regiment of spite behind the shed:
It was no place for rest. With sobs and tears
The boy came seeking comfort and I saw
White blisters beaded on his tender skin.
We soothed him till his pain was not so raw.
At last he offered us a watery grin,
And then I took my billhook, honed the blade
And went outside and slashed in fury with it
Till not a nettle in that fierce parade
Stood upright any more. And then I lit
A funeral pyre to burn the fallen dead,
But in two weeks the busy sun and rain
Had called up tall recruits behind the shed:
My son would often feel sharp wounds again.


Happy Easter.    It is a late spring after a cold winter in Minnesota.   In my part of the world, regardless the date Easter falls, the minute a farmer puts down his fork after eating ham on Easter Sunday, they think its time to start planting.   Patience will be required this year, as the soils are still too wet, the frost is still in the ground, and fields are not fit for spring planting activities to commence.   Fresh snow fell across much of the state in the past week.  A patient April reigns supreme.  

I am personally in need of a James Wright kind of spring; one where in a flourish I suddenly blossom, a spring where the world is in a hurry to become a kaleidoscope of color.  We don’t always get what we want.  We don’t even get what we need sometimes.   In the words of my Mother, a wise, long time kindergarten teacher, “you get what you get, so don’t get upset.”   It works for what’s left on the cookie plate and for dealing with mother nature.   

In contemplation of Easter’s story of sacrifice, I ponder if human kind is capable of evolving from a state of conflict to a process of resolution or is all peace a solitary and temporary detente?  I spent time reviewing religious sonnets with Easter themes and came away from all of them feeling grim. Not the kind of emotion I wanted to share today.  Instead I decided to think of Easter as a prayer for our collective sons.  What do we wish for our children?  Happiness, prosperity, a life well lived. When are we going to stop sending sons (and daughters) into contrived battles of our own making and set them free to live their own lives?  Conflict is a generational curse, passed down as an obligation, an inheritance, unless people have the courage to change course.  Who will change the course of the war in Ukraine?   If it left to the battle field, the conflict will only be seeded deeper in the fertile Ukrainian soil.  Easter can also be a story of transformation, rejuvenation, re-birth, the best of what Spring has to offer.  What re-birth awaits for you in the coming month?  What transformation do you summon the courage to awaken? 


Blessing

by Mihaela Moscaliuc

for my son, enwombed

May you harvest your language from the alphabet of butterflies, 
may their wings brushstroke your name on translucent scrolls, 
filter air for your breath, teach you flight the way I can’t.  

May you preserve the wisdom with which you arrive, 
the metaphors through which you’ll first parse the world,
the moon always a ripe banana, always within reach.  

May your fingers tease and probe all truths. 
It’s not the grain of sand, as we hold dear, but organisms 
wayward in their drift that, trapped, abrade the oyster’s flesh.  

Errant breather smothered into loveliness, 
the pearl has its own song. 
If you drag it ashore 

language loses meaning,
so bring your ear to the ocean floor.
There, neither fish nor son, eavesdrop. 

Neither fish nor son yet, 
call sister sister and lie awhile by the echo. 
While there, bless the echo and learn 

how to lie to me beautifully. 

Eccentric and Reckless

A spinning gyroscope.

Gyroscope

By Howard Nemerov
 
This admirable gadget, when it is
Wound on a string and spun with steady force,
Maintains its balance on most any smooth
Surface, pleasantly humming as it goes.
It is whirled not on a constant course, but still
Stands in unshivering integrity
For quite some time, meaning nothing perhaps
But being something agreeable to watch,
A silver nearly silence gleaning a still-
ness out of speed, composing unity
From spin, so that its hollow spaces seem
Solids of light, until it wobbles and
Begins to whine, and then with an odd lunge
Eccentric and reckless, it skids away
And drops dead into its own skeleton.
 
 

When I was a little boy, mine was the kind of toy box that contained a gyroscope, tops of various sorts, a microscope, magnifying glasses, bottles and bug collectors and other assortments of things that were not strictly toys, they were ways to investigate the world.  If I reflect on it, I spent the vast majority of my play time engaged in a study of physics.  Isn’t that what a frisbee is ultimately, a tool for the study of physics?  Also a hot wheel car set upon a track with no power other than the size of the height of the encyclopedias I would concoct, to get the best run and series of undulations, right down  to the last book, so that the car could make it to the end of the track that I had created through the living room and down the long hall way.  Climbing trees, is a study in physics, so is riding a bike, ping pong, baseball.   The problem with electronics is a video game is not a study in physics, it is a study in communication.  I preferred the world when it was dominated by the former.

I have had a hard time of late finding anything relevant to add to the poems I have been sharing.  It is hard to watch the world be ill, seriously ill.  I feel like we are watching our planet spin like a gyroscope, on its axis, like it always has and we have assumed it always will.  Suddenly it has begun to wobble and without our collective imaginations to get it spinning at the proper speed again, its at risk of falling over, motionless and emotionless.  Is emotion an extension of motion?  Does that mean it is an extension of physics, our physical selves?   

I spent some time this week in unbridled play, sheer silliness, like children chasing after a ball.   There was no point to the 2 hours other than to have fun.   There was nothing profound about it, yet the time was utterly transforming for the emotions of the group.   Everyone came away energized, excited, closer.   Why don’t we play with our friends more? The great tragedy of the COVID pandemic is not just the millions of lives lost, but also the life lost of the living.   We started seeing our friends as something to avoid, something we had to protect ourselves from, rather than the cure to what ails us all.  Netflix and books and social media can not replace playing with your friends.  Electronics can not replace physics.  Physics is what makes the world go round.  I think we have to re-imagine our futures, like Stevenson.  But this time, let’s imagine a future without toy soldiers, without any soldiers.  Let’s get the planet spinning again at its proper speed, sustainably, enthusiastically. 

FYI –  a counterpane is a quilt or bedspread. 


 

The Land of Counterpane

Robert Louis Stevenson – 1850-1894

When I was sick and lay a-bed,

I had two pillows at my head,
And all my toys beside me lay
To keep me happy all the day.

And sometimes for an hour or so
I watched my leaden soldiers go,
With different uniforms and drills,
Among the bed-clothes, through the hills;

And sometimes sent my ships in fleets
All up and down among the sheets;
Or brought my trees and houses out,
And planted cities all about.

I was the giant great and still
That sits upon the pillow-hill,
And sees before him, dale and plain,
The pleasant land of counterpane.

Whether I Laugh or Weep

Léonie Adams

An envy of that one consummate part

Swept me, who mock.

Whether I laugh or weep,

Some inner silences are at my heart

Léonie Adams

Apostate

By Léonie Adams – 1899-1988

From weariness I looked out on the stars
And there beheld them, fixed in throbbing joy,
Nor racked by such mad dance of moods as mars
For us each moment’s grace with swift alloy.
And as they pierced the heavens’ serene deep
An envy of that one consummate part
Swept me, who mock. Whether I laugh or weep,
Some inner silences are at my heart.
Cold shame is mine for all the masks I wear,
Belying that in me which shines and sings
Before Him, to face down man’s alien stare—
A graceless puppet on unmeaning strings,
I that looked out, and saw, and was at rest,
Stars, and faint wings, rose-etched along the west.


Home-Coming

by Léonie Adams – 1899-1988

When I stepped homeward to my hill,
Dusk went before with quiet tread;
The bare laced branches of the trees
Were as a mist about its head.

Upon its leaf-brown breast the rocks
Like great grey sheep lay silentwise,
Between the birch trees’ gleaming arms,
The faint stars trembled in the skies.

The white brook met me half-way up,
And laughed as one that knew me well,
To whose more clear than crystal voice
The frost had joined a crystal spell.

The skies lay like pale-watered deep,
Dusk ran before me to its strand
And cloudily leaned forth to touch
The moon’s slow wonder with her hand.