I See Them In My Dreams

achebe
Chinua Achebe (1930 – 2013)

Art is man’s constant effort to create for himself a different order of reality from that which is given to him.

Chinua Achebe

Refugee Mother and Child

by Chinua Achebe

No Madonna and Child could touch
that picture of a mother’s tenderness
for a son she soon would have to forget.
The air was heavy with odours
of diarrhoea of unwashed children
with washed-out ribs and dried-up
bottoms struggling in laboured
steps behind blown empty bellies.

Most mothers there had long ceased
to care but not this one; she held
a ghost smile between her teeth
and in her eyes the ghost of a mother’s
pride as she combed the rust-coloured
hair left on his skull and then –
singing in her eyes – began carefully
to part it… In another life this
would have been a little daily
act of no consequence before his
breakfast and school; now she
did it like putting flowers
on a tiny grave.

 


There are times I come across poems that make the hair on the back of neck stand up.  So it was with both of these, the words creating an indelible imprint of empathy for the hard road of poverty that so many endure. It’s hard to fathom all of the secondary effects of this pandemic, to truly quantify how it will make hard lives even harder, but its a certainty that more people will wake up hungry in the coming year because of it. And already strained humanitarian efforts in many parts of the world will be stretched even further.  Hunger is a universal issue as prevalent in the affluence of the United States as elsewhere.   As we search for medical solutions to help us address this global issue, let’s not lose sight of other basic needs like access to clean water, clean air and food that should be the right of human being on this planet, not a privilege reserved for the wealthy.  How should governments work to make a better future for the least among us, not just the most powerful and connected?


Dream-Children

by Syned
(South African Poet)

I see them in my dreams. Their tiny hands
Clutch feebly at the air; upon my face
Blows their sweet breath; a little voice demands
My eager kisses. In that soft embrace
A sense of aching, though I know not why,
A sense of some forgotten, longed-for joy,
A joy that thrills me through, yet makes me sigh,
That time could never change, nor death destroy;
Still in my dreams I clasp them to my breast,
Their soft warm presence folded close to mine;
And o’er me steals the balm of perfect rest,
And through my veins a gladness like to wine.
I murmur, shiver–then, as cold as stone,
Awake–and oh, dear God! awake alone.

We Are The Men of Soul

fela-anikulapo-kuti
Fela Kuti (1938 – 1997)

“A radical is he who has no sense…fights without reason…I have a reason. I am authentic. Yes, that’s what I am”

Fela Kuti

Beware, Soul Brother

by Chinua Achebe

We are the men of soul
men of song we measure out
our joys and agonies
in paces of the dance.
Beware, soul brother, beware,
for others there will be
lying in waiting, leaden-footed, tone deaf,
passionate to despoil the devour.
Take care then, mother’s son, take care
hanging a lame foot in air like the hen
in a strange unfamiliar compound.
Protect this patrimony to which
you must return when the song is finished
and the dancers disperse;
Remember also your children
for they in their time will want a
place for their feet when they come of age
and the dance of the future is born for them.

 


The concept of artist transforming society is most visible among rock stars.  But when those artists change the way we think there is something profound that goes beyond their music.  Bob Dylan never wanted to take credit that his music had a message.  Fela Kuti did.  Kuti didn’t pull any punches in regard to what he was singing and why.  Kuti wanted to bring down the corruption endemic in politics in post colonial Africa and move Africa forward.  So did Achebe.  Poetry and music is most powerful when it moves beyond the words to a regenerative truth. When it strives to create a new understanding, even an imperfect understanding of ways to improve our world.

Tony Allen was the rhythm that drove Fela Kuti’s sound for decades. Allen died in April at age 79.  If you don’t recognize the name, you should recognize the beat, because it has been imitated by drummers in jazz and rock and roll for the past 50 years. Allen created the Afro beat and was the coolest jazz drummer of our generation.  No one played a lick like Allen. His timing, his rhythm is sheer poetry, sheer jazz.  I have shared a few links below.  Enjoy.

 

 

 


Beasts of No Nation

by Fela Kuti

Ah- Let’s get now into another, underground spiritual game
Just go to help me the answer, go to say, “Aiya-kata”- Oh ya
O’feshe-Lu
AIYA-KATA *(after each line)
O’feshe- g’Ba
O’feshe-Woh

AIYA-KATA *(after each line)

O’feshe-Weng
Aiya kata
Aiya Koto
Aiya Kiti
Aiya Kutu
O’feshe-Lu
AIYA-KATA *(after each line)
O’feshe- g’Ba
Oh—–…
Basket mouth wan start to leak again, oh-
BASKET MOUTH WAN OPEN MOUTH AGAIN, OH
Abi** you don forget I say I sing, ee-oh **(is it not)
BASKET MOUTH WAN OPEN MOUTH AGAIN, OH
Oh, I sing, I say, I go my mouth like basket, ee-oh, Malan Bia-gbe-re
(2x)
Basket mouth wan start to leak again, oh-
BASKET MOUTH WAN OPEN MOUTH AGAIN, OH
Fela, wetin you go sing about?
DEM GO WORRY ME… *(after each line)
(3x)
Dem go worry me, worry me– worry, worry, worry, worry
DEM GO WORRY ME *(After each line)
Dey wan to make us sing about prison
Dem go worry me, worry me– worry, worry all over da town
Dey wan to know about prison life
Dem go worry me, worry me– worry, worry all over da town
*(repeat stanza)
Fela, wetin you go sing about?
DEM GO WORRY ME
Dem go worry me, worry me– worry, worry, worry, worry
The time weh I dey, for prison, I call am “inside world”
The time weh I dey outside prison, I call am “outside world”
Na craze world, na be outside world
CRAZE** WORLD *(after each line) / **(crazy)
Na be outside- da police-i dey
Na be outside- da soldier dey
Na be outside- da court dem dey
Na be outside- da magistrate dey
Na be outside- da judge dem dey
Na craze world be dat
Na be outside- Buhari dey
Na craze man be dat
Animal in craze-man skin-i
Na craze world be dat
Na be outside- Idia-gbon dey
Na craze man be dat- oh
Animal in craze-man skin-i
Na craze world be dat
Na be outside- dem find me guilty
Na be outside- dem jail me five years
——————I no do nothing
Na be outside-dem judge dey beg ee-o
Na craze world be dat, Na craze world be dat
Na be outside- dem kill dem students
Soweto, Zaria, and Ife
Na craze world be dat, ee-oh
Na craze world be dat
Na be outside- all dis dey happen
Na craze world be dat, ee-oh
Na craze world be dat, ee-oh
Na craze world be dat, ee-oh
Na craze world be dat, ee-oh
Na craze world be dat, ee-oh…
Make you hear this one
War against indiscipline, ee-oh
Na Nigerian government, ee-oh
Dem dey talk ee-oh
“My people are us-e-less, My people are sens-i-less, My people are indiscipline”
Na Nigerian government, ee-oh
Dem dey talk be dat
“My people are us-e-less, My people are sens-i-less, My people are indiscipline”
I never hear dat before- oh
Make Government talk, ee-oh
“My people are us-e-less, My people are sens-i-less, My people are indiscipline”
Na Nigerian government, ee-oh
Dem dey talk be dat
Which kind talk be dat- oh?
Craze talk be dat ee-oh
Na animal talk be dat