Feel Me To Do Right

May Swenson (1913 – 1989)

The summer that I was ten – Can it be there was only one summer that I was ten? It must have been a long one then.

May Swenson

That The Soul May Wax Plump

by May Swenson

“He who has reached the highest degree of
emptiness will be secure in repose.”
A Taoist saying

My dumpy little mother on the undertaker’s slab
had a mannequin’s grace. From chin to foot
the sheet outlined her, thin and tall. Her face
uptilted, bloodless, smooth, had a long smile.
Her head rested on a block under her nape,
her neck was long, her hair waved, upswept. But later,
at “the viewing,” sunk in the casket in pink tulle,
an expensive present that might spoil, dressed
in Eden’s green apron, organdy bonnet on,
she shrank, grew short again, and yellow. Who
put the gold-rimmed glasses on her shut face, who
laid her left hand with the wedding ring on
her stomach that really didn’t seem to be there
under the fake lace?

Mother’s work before she died was self-purification,
a regimen of near starvation, to be worthy to go
to Our Father, Whom she confused (or, more aptly, fused)
with our father, in Heaven long since. She believed
in evacuation, an often and fierce purgation,
meant to teach the body to be hollow, that the soul
may wax plump. At the moment of her death, the wind
rushed out from all her pipes at once. Throat and rectum
sang together, a galvanic spasm, hiss of ecstasy.
Then, a flat collapse. Legs and arms flung wide,
like that female Spanish saint slung by the ankles
to a cross, her mouth stayed open in a dark O. So,
her vigorous soul whizzed free. On the undertaker’s slab,
she lay youthful, cool, triumphant, with a long smile.


 

Feel Me

By May Swenson 
 
“Feel me to do right,” our father said on his deathbed.
We did not quite know—in fact, not at all—what he meant.
His last whisper was spent as through a slot in a wall.
He left us a key, but how did it fit? “Feel me
to do right.” Did it mean that, though he died, he would be felt
through some aperture, or by some unseen instrument
our dad just then had come to know? So, to do right always,
we need but feel his spirit? Or was it merely his apology
for dying? “Feel that I do right in not trying,
as you insist, to stay on your side. There is the wide
gateway and the splendid tower, and you implore me
to wait here, with the worms!”
 
Had he defined his terms, and could we discriminate
among his motives, we might have found out how to “do right”
before we died—supposing he felt he suddenly knew
what dying was. “You do wrong because you do not feel
as I do now” was maybe the sense. “Feel me, and emulate
my state, for I am becoming less dense—I am feeling right
for the first time.” And then the vessel burst,
and we were kneeling around an emptiness.
 
We cannot feel our father now. His power courses through us,
yes, but he—the chest and cheek, the foot and palm,
the mouth of oracle—is calm. And we still seek
his meaning. “Feel me,” he said, and emphasized that word.
Should we have heard it as a plea for a caress—
a constant caress, since flesh to flesh was all that we
could do right if we would bless him?
The dying must feel the pressure of that question—
lying flat, turning cold from brow to heel—the hot
cowards there above protesting their love, and saying,
“What can we do? Are you all right?” While the wall opens
and the blue night pours through. “What can we do?
We want to do what’s right.”
 
“Lie down with me, and hold me, tight. Touch me. Be
with me. Feel with me. Feel me to do right.”

Published by

A Sonnet Obsession

I am a life-long Minnesotan who resides in Minneapolis. I hope you enjoy my curated selection of sonnets, short poems and nerdy ruminations. I am pleased to offer Fourteenlines as an ad and cookie free poetry resource, to allow the poetry to be presented on its own without distractions. Fourteenlines is a testament to the power of the written word, for anyone wanting a little more poetry in their life.

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