by Philip Larkin (1922 – 1985)
Quarterly, is it, money reproaches me:
‘Why do you let me lie here wastefully?
I am all you never had of goods and sex.
You could get them still by writing a few cheques.’
So I look at others, what they do with theirs:
They certainly don’t keep it upstairs.
By now they’ve a second house and car and wife:
Clearly money has something to do with life
—In fact, they’ve a lot in common, if you enquire:
You can’t put off being young until you retire,
And however you bank your screw, the money you save
Won’t in the end buy you more than a shave.
I listen to money singing. It’s like looking down
From long french windows at a provincial town,
The slums, the canal, the churches ornate and mad
In the evening sun. It is intensely sad.
Philip Larkin, “Money” from Collected Poems. Copyright © Estate of Philip Larkin. Reprinted by permission of Faber and Faber, Ltd.
Sor Juana Inés de la Cruz (1651 – 1695)
Éste que ves, engaño colorido,
que del arte ostentando los primores,
con falsos silogismos de colores,
es cauteloso engaño del sentido;
éste en quien la lisonja ha pretendido
excusar de los años los horrores,
y, venciendo del tiempo los rigores
triunfar de la vejez y del olvido,
es un vano artificio del cuidado,
es una flor al viento delicada,
es un resguardo inútil para el hado;
es una necia diligencia errada,
es un afán caduco y, bien mirado,
es cadáver, es polvo, es sombra, es nada.
What you see here is colorful illusion,
an art boasting of beauty and its skill,
which in false reasoning of color will
pervert the mind in delicate delusion.
Here where the flatteries of paint engage
to vitiate the horrors of the years,
where softening the rust of time appears
to triumph over oblivion and age,
all is vain, careful disguise of clothing,
it is a slender blossom in the gale,
it is a futile port for doom reserved,
it is a foolish labor that can only fail:
it is a wasting zeal and, well observed,
is corpse, is dust, is shadow, and is nothing.
Translated by Willis Barnstone.