
“One thing I am convinced more and more is true and that is this: the only way to be truly happy is to make others happy. When you realize that and take advantage of the fact, everything is made perfect.”
William Carlos Williams in letter to his Mother, published in Selected Letters 1957.
Slow Movement
by William Carlos Williams
All those treasures that lie in the little bolted box whose tiny space is
Mightier than the room of the stars, being secret and filled with dreams:
All those treasures—I hold them in my hand—are straining continually
Against the sides and the lid and the two ends of the little box in which I guard them;
Crying that there is no sun come among them this great while and that they weary of shining;
Calling me to fold back the lid of the little box and to give them sleep finally.
But the night I am hiding from them, dear friend, is far more desperate than their night!
And so I take pity on them and pretend to have lost the key to the little house of my treasures;
For they would die of weariness were I to open it, and not be merely faint and sleepy
As they are now.
I am a little envious of artists whose skill and daring make it possible for them to earn a living as an artist. I have never had such pluck. I am in good company when it comes to poets in that regard. Many of the poets I admire and who helped shape the poetic language of the 20th Century did not make their living as a poet. William Carlos Williams was a doctor, a general practitioner in Patterson, NY and Wallace Stevens was an executive for a insurance company in New York City. Either could be the patron saint of the responsible adult toiling daily in a job they may or may not love, but which gives structure and financial stability to their life so that in their free time they can pursue their art.
Both Wallace Stevens and William Carlos Williams pushed the boundaries of free verse and helped redefine American poetry. William’s wrote in Modern American Poetry (1950); “The job of the poet is to use language effectively, his own language, the only language which is to him authentic.” Neither WCW or Stevens is known for classical poetry, quite the opposite, they are known for their free verse, and yet, like most poets, the sonnet form is like a siren calling them to the shore, and they are inspired to take their turn in wrestling with tradition.
Explain My Spirit
by Wallace Stevens
Explain my spirit—adding word to word,
As if the exposition gave delight.
Reveal me, lover, to myself more bright.
“You are a twilight, and a twilight bird.”
Again! For all the untroubled senses stirred,
Conceived anew, like callow wings in flight,
Bearing desire toward an upper light.
“You are a twilight, and a twilight bird.”
Burn in my shadows, Hesperus, my own,
And look upon me with a triumphant fire.
Behold, how glorious the dark has grown!
My wings shall beat all night against your breast,
Heavy with music—feel them there aspire
Home to your heart, as to a hidden nest.