I Am Not A Painter

michelangelo-sistine-chapel
Sistine Chapel

“Until you have seen the Sistine Chapel, you can have no adequate conception of what man is capable of accomplishing.”

Johann Wolfgang Von Goethe


New Years is either the best or worst holiday of the year, depending on your frame of mind on December 31.  There are years in our lives that, in retrospect, we celebrate with great cheer while other years it’s refreshing to finally put them in the rear view mirror and hang up a new calendar to welcome a fresh start.  I’ll be honest, for a liberal white man in America, 2017 sucked.   I have never felt so out of step with the leadership of my country or ashamed of the actions of a minority of my brethren for their hateful voices and sexist, racist behavior that fuels a divisive unproductive rhetoric and short-lived trajectory.  There were many changes in America in 2017 and almost none of them were in the direction I think the majority of Americans want it to go. We face important challenges as a country and as a planet, and if compromise and reasonable discourse is not possible then real solutions seem even more out of our reach.

On a Sunday morning, December 31, 2017, I am waking up to a temperature of -16 degrees F in Minneapolis, minus -27 degrees Celsius. This is air temperature not wind chill factor.  On a frigid morning like this its hard to put in perspective our impact on our climate.  If you believe in the science of climate change or not, I have several questions?  What is lost personally if global warming has been proven as the most likeliest of facts based on evidence that climate change is real?  What personally will you sacrifice by accepting climate change as a very real and dangerous possibility?  How would your life be diminished by creating the opening for the possibility that we need to change our technology and our economy?  Is the cost of holding on to your beliefs that climate change is not real worth the chance that you were wrong considering the potential impacts to your children, your grand children and the world at large?

If all the ice covering Antarctica, Greenland and mountain glaciers around the world were to melt, sea level would rise about 70 meters (230 feet).  It will take thousands of years for this to occur, and yet to put that in one tiny perspective, Vatican city sits at an elevation above sea level of 62 meters. St. Peter’s square is only 18 meters above sea level.  The four warmest years on record globally were 2014, 2015, 2016 and 2017.

We live at a time when too much dialogue scoffs at the credibility of science.  People want to believe that vaccinations aren’t safe, that GMO food is not identical in nutrition and health benefits to “organic” food and that global warming isn’t real, only because it’s so much easier to remain firmly entrenched in our familiar beliefs, surrounded by other people who look and sound exactly as we do.

A question too few ask is what role should art play in inspiring scientific solutions to the most egregious challenges facing humanity? How does art support science and science support art? I believe the two are connected in the constant need for growth in the human experience.

The Paris Climate Accords, have been accepted as reasonable by every industrialized country in the world, except our Denier in Chief, President Donald Trump. He has set a goal to limit global warming to 1.5 to 2 degrees centigrade above pre-industrialized levels.  Is that possible?  I don’t know, if we achieve that standard, the world’s oceans rise 40 to 50 centimeters by 2100.   It may not sound like much, but if the climate warms by only 2 degrees or more C we risk setting a reaction in motion that won’t stop releasing methane frozen in arctic tundra soils, releasing enormous amounts of greenhouse gases that will create a permanent one way ticket to a future where large portions of Asia, the middle east and Africa will become uninhabitable and global ice will decline over time to swell ocean levels to unthinkable levels. It’s estimated that approximately 1/3 of the world’s population lives at an elevation of 100 meters or less above sea level. And yet we have too many people who wake up when its -16 degrees F in Minneapolis this morning and want to pretend that just because weather can still be frigid that climate change is not real.

It’s hard to know in the midst of change, whether  the gestation is worth the painful birth and whether the patience required throughout a long nurturing will yield something better. A wine-maker never knows whether that year’s bottles will age into something miraculous,  a teacher can’t know what their impact will be on a student’s life and must maintain the steadfast belief that change is not only possible but highly likely.  So it is on the journey of creating new ideas for a better society.

In matters of education, love, art, wine and the future of the world, an article of faith must surround what is most important in our lives even more than science.  Science is a way to help make more educated decisions that are, by their very nature, imperfect and will need constant correction based on better newer insight and information.  It doesn’t prove science is wrong.  It proves it is human.

It is through faith in trying to do the right thing, using the best information we have, that we will nurture hope through conflict,  protect the fragility of human confidence during uncertainty and foster from belief a better reality.  2017 was a difficult year to be a male white liberal scientist poet in America.  The daily bombardment of insanity to depravity that played out in the media became exhausting and depressing. I can only hope all the trash we aired in 2017 will be a turning point to creating something better. Maybe 2017 will mobilize the silent majority that hopes for a better future.  A majority who believe that through acceptance of diversity, social justice will create a better community in which to live. Those that want a democratic system based on rule of law that doesn’t solely worship at the feet of the almighty dollar but also values sustainability, protects the environment and fosters the arts.  People who are willing to hold government accountable and pursue change of an economic system that enriched the 500 hundred wealthiest people on the planet with another trillion dollars in one year at the expense of impoverishing a generation of young people under the burden of soaring housing costs, under employment, un-affordable health care and student debt.  The “haves” partied hardy in 2017 on the backs of the have-nots.  And if you’re wearing your gold 2018 hat and tooting your own horn, you best look around at those who aren’t celebrating with you and ask why?

It’s difficult to admit privilege without it feeling like you are negating your own hard work and accomplishments. Privilege is largely invisible to those that have it. I won the lottery at birth. I was born white, male in the early 1960’s in the United States of America, into a middle class family, with college educations, in the suburbs of Minnesota where public education was a pillar of the community.  I graduated from high school at a rare time of no active war that the United States was participating.  There was still a draft like prior generations of men in America, but no active conflict to cause conscription into a military conflict, like the generation of men just a few years ahead of me, that saw their lives forever changed during the Vietnam war. I graduated from high school at time when you could still work and pay for a college education at the University of Minnesota with wages earned from summer employment, something impossible today. I entered the work force at a time as computer technology was just starting to unlock the power of productivity, information sharing and communication, guaranteeing an economy that would grow over time.  In the history of the world, there are few other games of chance that have rewarded so richly.  So when my fellow white, male Americans persist through their hateful to foolish behavior in reinforcing the stereo type of white men as ugly Americans, with vain language, vulgar sexist behavior and a much more dangerous pandering to extremist right-wing ideologies in an  attempt to hold on to their power that came not solely as the result of their own hard work alone, but as their birth right from a complete lottery of chance rigged in their favor, it can feel like we have lost ground as a society in creating a more enriching, sustainable world for our children. A generation of children that is much more diverse, complex and disadvantaged than the one I grew up in suburban America.

All is not lost.  I was reminded of the importance of living in the moment yesterday when during a restorative justice circle in preparation for 2018, the circle keeper started with a simple request: “Don’t count your days, make this day count.”  I choose to use art as inspiration in my life to help me preserve through challenging times.  I feel that art instills wonder, wonder instills kindness, kindness instills understanding.  I believe it is with understanding that we will shape our future.  I don’t pretend to have any of the answers, and yet I am open to new ideas. I have faith that the current generation of young people will shape a better world than the one we are bequeathing to them.  I don’t think they have on the same blinders as their parents and will steer their own course. They no longer believe the American dream, that they will have a future of greater prosperity only through hard work.  I believe they see that their accomplishments are only impactful when working cooperatively in their community to foster real change at a local level that can grow to something greater.  It is the current squandering of America’s opportunity for leadership that is most disheartening at the present.  This too shall pass.  And the political will shall shift to something more sustainable as more and more people watch what is happening on a global scale and ask what can I do to make a difference in my community?

Michelangelo was a poet as well as a genius sculptor and painter.  He wrote a sonnet four long years into the painting of the Sistine chapel. Though this sonnet loses some of its humor and rhyme in its translation into English, it shows how faith and hard work power our greatest achievements.  For even a man who claims he is not a painter, created one of the greatest paintings of all time.  The Sistine chapel was Michelangelo’s first fresco, proving you can get it right the first time, even on achievements that may seem impossible at first if you believe in yourself and those around you. Can we change our world?  I believe we can, if we look for wonder in all that surrounds us.   Wonder will open the door to understanding that the impossible is possible.


Michelangelo: To Giovanni da Pistoia
“When the Author Was Painting the Vault of the Sistine Chapel”

Translated by Gail Mazuur

I’ve already grown a goiter from this torture,
hunched up here like a cat in Lombardy
(or anywhere else where the stagnant water’s poison).
My stomach’s squashed under my chin, my beard’s
pointing at heaven, my brain’s crushed in a casket,
my breast twists like a harpy’s. My brush,
above me all the time, dribbles paint
so my face makes a fine floor for droppings!

My haunches are grinding into my guts,
my poor ass strains to work as a counterweight,
every gesture I make is blind and aimless.
My skin hangs loose below me, my spine’s
all knotted from folding over itself.
I’m bent taut as a Syrian bow.

Because I’m stuck like this, my thoughts
are crazy, perfidious tripe:
anyone shoots badly through a crooked blowpipe.

My painting is dead.
Defend it for me, Giovanni, protect my honor.
I am not in the right place—I am not a painter.

Ring in Nobler Modes of Life

Hope smiles from the threshold of years to come, whispering; “It will be happier.”

Alfred Lord Tennyson

Biography-of-Alfred-Lord-Tennyson
Alfred Lord Tennyson

The New Year

by Henry Wilmarth Hazzen (1842 – 1899)

 

As speed the years in their unceasing roll,
A sense of newness fills each breaking morn;
And aims, by which we would our lives dorn,
Fresh impulse gain from out each anxious soul.
Yet with each falling night misgivings come
From partial failure, warding off dismay
By new resolves that wait the coming day,—
When, lo! the Fates our purpose will benumb.
Master is he, thus conscious of life’s stress,
Who, year by year thro’ toil, a path has found
To best from better, as its vantage ground;
And he whose mission, too, has been far less,
To strive in sunshine, than in shadows grope,
Still finds his heart replete with youth and hope.

 


In Memoriam (Ring Out, Wild Bells)

by Alfred Lord Tennyson (1809 – 1892)

Ring out, wild bells, to the wild sky,
The flying cloud, the frosty light:
The year is dying in the night;
Ring out, wild bells, and let him die.

Ring out the old, ring in the new,
Ring, happy bells, across the snow:
The year is going, let him go;
Ring out the false, ring in the true.

Ring out the grief that saps the mind
For those that here we see no more;
Ring out the feud of rich and poor,
Ring in redress to all mankind.

Ring out a slowly dying cause,
And ancient forms of party strife;
Ring in the nobler modes of life,
With sweeter manners, purer laws.

Ring out the want, the care, the sin,
The faithless coldness of the times;
Ring out, ring out my mournful rhymes
But ring the fuller minstrel in.

Ring out false pride in place and blood,
The civic slander and the spite;
Ring in the love of truth and right,
Ring in the common love of good.

Ring out old shapes of foul disease;
Ring out the narrowing lust of gold;
Ring out the thousand wars of old,
Ring in the thousand years of peace.

Ring in the valiant man and free,
The larger heart, the kindlier hand;
Ring out the darkness of the land,
Ring in the Christ that is to be.

Small Serendipitous Epiphanies

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Nuns Skating

by Ann Drysdale

Nuns fret not at their convent’s narrow room
Because their spirits can escape beyond
The place that holds them in respectful gloom
To seek the Lord beside the frozen pond.
There He will make their laughter into bells
And turn their breath to incense. He will show
Shadows of magi on the distant hills
And flights of angels shining in the snow.
He will make rushes sing and grasses dance
To the intrusive music of their chatter,
Whispering in their ears that, just this once,
They too can walk as He did, on the water.
Oh, may the year to come be full of these.
Small serendipitous epiphanies.


Second Prize winner, National Poetry Competition, 2001
Published in Backwork, Peterloo Poets, 2002

Scarce One More Loved

 

Charles Dickens
Charles Dickens (1812 -1870)

Dickens Returns on Christmas Day

by Theodore Watts Dunton (1832 – 1914)

“Dickens is dead!”  Beneath that grievous cry
London seemed shivering in the summer heat;
Strangers too up the tale like friends that meet:
“Dickens is dead!” said they, and hurried by;
Street children stopped their games – they knew not why,
But some new night seemed darkening down the street.
A girl in rags, staying her wayworn feet,
Cried, “Dickens dead?  Will Father Christmas die?”

City he loved, take courage on thy way!
He loves thee still, in all thy joys and fears.
Though he whose smile made bright thine eyes of grey –
Though he whose voice, uttering thy burthened years,
Made laughters bubble through thy sea of tears –
Is gone, Dickens returns on Christmas Day.


 

Dickens

by Charles Algernon Swinburne (1837- 1909)

Chief in thy generation born of men,
Whom English praise acclaimed as English-born,
With eyes that matched the worldwide eyes of morn
For gleam of tears or laughter, tenderest then
When thoughts of children warmed their light, or when
Reverence of age with love and labor worn,
Or godlike pity fired with godlike scorn,
Shot through them flame that winged thy swift live pen:
Where stars and suns that we behold not burn,
Higher even than here, though highest was here thy place,
Love sees thy spirit laugh and speak and shine
With Shakespeare and the soft bright soul of Sterne
And Fielding’s kindliest might and Goldsmith’s grace;
Scarce one more loved or worthier love than thine.

 

This Will Be A Sign To You

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Mysteries, Yes

by Mary Oliver

Truly, we live with mysteries too marvelous
to be understood.

How grass can be nourishing in the
mouths of the lambs.
How rivers and stones are forever
in allegiance with gravity
while we ourselves dream of rising.
How two hands touch and the bonds
will never be broken.
How people come, from delight or the
scars of damage,
to the comfort of a poem.

Let me keep my distance, always, from those
who think they have the answers.

Let me keep company always with those who say
“Look!” and laugh in astonishment, and bow their heads.

Evidence by Mary Oliver.  Copyright Beacon Press 2009.


 

And there were shepherds living out in the fields nearby, keeping watch over their flocks at night. An angel of the Lord appeared to them, and the glory of the Lord shone around them, and they were terrified.  But the angel said to them, “Do not be afraid. I bring you good news that will cause great joy for all the people. Today in the town of David a Savior has been born to you; he is the Messiah, the Lord. This will be a sign to you: You will find a baby wrapped in cloths and lying in a manger.”

Suddenly a great company of the heavenly host appeared with the angel, praising God and saying,

“Glory to God in the highest heaven,
    and on earth peace to those on whom his favor rests.”


And Lo

by Lawrence Ferlinghetti

And lo a star arose in the east
only it was the sun
and three wise guys or goys
spied it and exclaimed
Behold, Great God Sun
creator of light
creator of all life on earth
without which we would live in darkness
forever and ever
Great God Sun
bringer of the only light we know
and the only god we have visual proof really exits
the only god
who’s not an invention of our desperate imaginations
seeking some way out or up
beyond certain death
Great God Sun
creator of night and day on earth
there are no gods before you
And lo
a babe was born in a manger
by immaculate conception or spontaneous combustion
and there was great rejoicing
out there in the desert
and the babe arose and spake
in a loud voice
Yeah man it’s a fact
I am born of the God the Father great god Sun
and I am his Holy Ghost on earth
which he in his heavenly wisdom
sent to you in the form of light
and I am that light
which is love on earth forever and ever
Amen!

How To Paint Sunlight by Lawrence Ferlinghetti. Copyright 2001.

 

Merry Christmas……

Again The Native Hour

alan tate
Alan Tate

More Sonnets At Christmas

by Allen Tate

I

Again the native hour lets down the locks
Uncombed and black, but gray the bobbing beard;
Ten years ago His eyes, fierce shuttlecocks,
Pierced the close net of what I failed: I feared
The belly-cold, the grave-clout, that betrayed
Me dithering in the drift of cordial seas;
Ten years are time enough to be dismayed
By mummy Christ, head crammed between his knees.

Suppose I take an arrogant bomber, stroke
By stroke, up to the frazzled sun to hear
Sun-ghostlings whisper: Yes, the capital yoke—

Remove it and there’s not a ghost to fear
This crucial day, whose decapitate joke
Languidly winds into the inner ear.

II

The day’s at end and there’s nowhere to go,
Draw to the fire, even this fire is dying;
Get up and once again politely lying
Invite the ladies toward the mistletoe
With greedy eyes that stare like an old crow.
How pleasantly the holly wreaths did hang
And how stuffed Santa did his reindeer clang
Above the golden oaken mantel, years ago!

Then hang this picture for a calendar,
As sheep for goat, and pray most fixedly
For the cold martial progress of your star,
With thoughts of commerce and society,
Well-milked Chinese, Negroes who cannot sing,
The Huns gelded and feeding in a ring.

III

Give me this day a faith not personal
As follows: The American people fully armed
With assurance policies, righteous and harmed,
Battle the world of which they’re not at all.
That lying boy of ten who stood in the hall,
His hat in hand (thus by his father charmed:
“You may be President”), was not alarmed
Nor even left uneasy by his fall.

Nobody said that he could be a plumber,
Carpenter, clerk, bus-driver, bombardier;
Let little boys go into violent slumber,
Aegean squall and squalor where their fear
Is of an enemy in remote oceans
Unstalked by Christ: these are the better notions.

IV

Gay citizen, myself, and thoughtful friend,
Your ghosts are Plato’s Christians in the cave.
Unfix your necks, turn to the door; the nave
Gives back the cheated and light dividend
So long sequestered; now, new-rich, you’ll spend
Flesh for reality inside a stone
Whose light obstruction, like a gossamer bone,
Dead or still living, will not break or bend.

Thus light, your flesh made pale and sinister
And put off like a dog that’s had his day,
You will be Plato’s kept philosopher,
Albino man bleached from the mortal clay,
Mild-mannered, gifted in your master’s ease
While the sun squats upon the waveless seas.


Allen Tate, “More Sonnets at Christmas (I-IV)” from The Collected Poems 1919-1976.
Copyright © 1960, 1965 by Allen Tate. All rights reserved.

Source: Selected Poems (Farrar Straus and Giroux, 1932)

 

Weltering In The Grace of Love’s Remand

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November sunset on my street corner.

For every ailment under the sun
There is a remedy, or there is none;
If there be one, try to find it;
If there be none, never mind it.

Mother Goose Nursery Rhyme

I am a late bloomer as a writer and am still finding my way playing with words.  I have come to appreciate the idea of a muse; having at times, an almost out-of-body experience where it feels like words flow from my fingertips as I type in ways that are separate from my conscious brain. When this happens, I wait anxiously, like an onlooker,  to see what my fingertips have to say as the words appear on the screen.   Not that my writing hits the page in its final form with a first draft. My writing process consists of trying to get a first draft done fairly quickly; quick being a relative term as it can range from one hour, to one day to one month.  From there I tend to tinker endlessly, changing lines, changing words, re-ordering structure, reading the poem out loud over and over again, with literally dozens of edits, until it reads at least to me, without awkwardness. I will sometimes come back to a poem over a year later and make edits, finding the fallow period helps my subconscious smooth out flaws.

I am still amazed by the well of experience from which inspiration arises. Sometimes it starts with one word.  An example is the sonnet Simple Praise.    It came about while reading Lila by Marilynne Robinson.  In it is there is a bible passage that re-occurs throughout the book.  The passage is from Ezekiel and is relayed by Robinson as:

And as for thy nativity, in the day thou wast born thy navel was cut, neither was thou washed in water to cleanse thee; thou was not salted at all, nor swaddled at all. No eye pitied thee, to do any of these things unto thee, to have compassion upon thee; but thou was cast out in the open field, for that thy person was abhorred, in the day thou wast born. And when I passed by thee, and saw thee weltering in thy blood, I said unto thee, Though thy art in thy blood, live; yea, I said unto thee, Though thou art in thy blood, live!.

A powerful metaphor for a middle-aged man in the midst of his mid-life crisis; get up, stop wallowing, take responsibility for your true skin, taste your blood and live.

The first time I read it, a word jumped out at me – weltering.  It’s one of those words, that I thought I knew the definition, but on it coming into my consciousness more deeply, I doubted whether I fully comprehended its meaning.  So it sent me to the dictionary.

Welter
verb (used without object)
  1. to roll, toss, or heave, as waves or the sea.
  2. to roll, writhe, or tumble about; wallow, as animals (often followed by about):
  3. to lie bathed in or be drenched in something, especially blood.
  4. to become deeply or extensively involved, associated, entangled,etc.:
    to welter in confusion or despair.
noun
  1. confused mass; a jumble or muddle: welter of anxious faces.
  2. a state of commotion, turmoil, or upheaval.
  3. a rolling, tossing, or tumbling about, as or as if by the sea, waves, or wind.

Definition from Dictionary.com

 

Several of the definitions held portent to what was happening in my life, in particular the concept of being deeply entangled and in a state of commotion and turmoil.  At the time, I was attempting to use poetry as a vehicle to imperfectly capture portions of my spirituality and this one word, weltering, began swirling in my mind and from it a sonnet emerged.

The sonnet Simple Praise intentionally has connections to Reinhold Neibor and his focus on realism. On this week before Christmas, as I prepare to celebrate with family and friends, I feel more strongly the passage of time.  Christmas is my yearly reminder on the possibilities of rebirth and renewal. It is a time I try to strengthen my internal connections to hope and celebration. It is a time to be thankful.  And to remind myself to live, truly live, in the coming new year!


Simple Praise

by T.A. Fry

Weltering in the grace of love’s remand,
What brokenness have I put right today?
God is unknowable.  Yet I pray
To avoid the trap of greed’s quicksand.
Cold foot in mouth, hot tongue in hand,
I offer restitution my own to pay.
To lessen debt’s cycle of dismay,
And honor my debtors, if not their demands.

In silence I ask what’s to be done?
Make the best of all things in my power.
And accept the rest as it plainly comes?
Bless me with useful work to inherit.
I’ll not worship thee with obscure merit.
Only simple praise for the setting sun.


© T. A. Fry and Fourteenlines, 2017. Unauthorized use and/or duplication of this material without express and written permission from this site’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to T. A. Fry and Fourteenlines with appropriate and specific direction to the original content.

A Hymn For Water

 

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The Fugitives Poets in 1956: Allen Tate, left, Merrill Moore, Robert Penn Warren, standing,            John Crowe Ransom and Donald Davidson.

 

A Hymn For Water

by Merrill Moore (1903 – 1957)

Go get water, it is good to drink
Water will drown better than wine will drown
Certain sorrows that will not go down.

Water has sunk more grievances than wine
And will continue.  Turn the water on
Stick your hand in the stream; water will run

And kiss it like a dog or it will shake
It like a friend or it will tremble there
Like a woman sobbing with her hair
Falling in her face and do not think.

That water has been everything, it has
But now it is only water, that will make
You whole as it is whole, clear as it is,
Immune against fate and her traitories.


Merrill Moore was a prolific, taciturn sonneteer, who it is estimated, wrote 50,000 sonnets.  That averages out to four sonnets a day, every day for 34 years from age 20 unti lhis death.   I may have to rethink my self titled claim to being obsessive, as by comparison, I am apathetic compared to Moore.  The question is, I wonder,  how many of them did he consider noteworthy?

Moore was a member of the The Fugitives, a group of poets and literary scholars that met at Vanderbilt University in Nashville, Tennessee in 1920.  It was a remarkable group of creative talents, producing two poet laureates out of their ranks, Allen Tate and Robert Penn Warren.  The group got its name from the literary magazine they founded and published for three years, The Fugitive from 1922 – 1925.

Moore was a clinical psychologist.  He treated the poet Robert Lowell for manic depression and had a large influence on Lowell’s life.  Moore was a friend of Robert Frost who described him as a “serious physician and serious artist [who] had no notion of being taken lightly…”  At 50,000 pages, how could we see as him as anything but serious..

Now for something completely silly, check out the other Merrill Moore (no relation) singing Cow Cow Boogie..


The Book of How

by Merrill Moore

After the stars were all hung separately out
For mortal eyes to see that care to look,
The one who did it sat down and wrote a book
On how he did it. It took him about
As long to write the book as to do the deed,
But he said, “It’s things like this we mostly need.”
And the angels approved but the devils screamed with laughter,
For they knew exactly what would follow after.

For somehow he managed entirely to omit
The most important facts in accomplishing it:
Where he got the ladder to reach the stars;
And how he lighted them, especially Mars;
And what he hung them on when he got them there,
Eternally distant and luminous in the air.

The Caprice of Prosody

francesco-petrarch-4

Protest
by Joseph Auslander (1897 – 1965)

I will not make a sonnet from
Each little private martyrdom:
Nor out of love left dead with time
Construe a stanza or a rime.

We do not suffer to afford
The searched for and the subtle word:
There is too much that may not be
At the caprice of prosody.

From Cyclops’ Eye. Harper & Brothers, 1926

Sonnet 61

by Francesco Petrarch (1304 – 1374)
Translated by Joseph Auslander

Blest be the day, and blest be the month and year,
Season and hour and very moment blest,
The lovely land and place where first possessed
By two pure eyes I found me prisoner;
And blest the first sweet pain, the first most dear,
Which burnt my heart when Love came in as guest;
And blest the bow, the shafts which shook my breast,
And even the wounds which Love delivered there.
Blest be the words and voices which filled grove
And glen with echoes of my lady’s name;
The sighs, the tears, the fierce despair of love;
And blest the sonnet-sources of my fame;
And blest that thought of thoughts which is her own,
Of her, her only, of herself alone!


Pop Quiz.

  1. Can you name the current Poet Laureate of the United States?
  2. Does your state or province have a poet laureate? If yes, who is it?

My Answers:

  1. Tracy K. Smith (September 2017)
  2. Yes – Minnesota’s poet laureate is Joyce Sutphen.

The concept of a poet laureate as a function of recognition and civic artistic contribution to society goes all the way back to the 14th Century.  Petrarch was crowned Rome’s first poet laureate in 1341 and is the god-father of sonnets.   So it is only slightly ironic, or a planned coincidence, that the United States first poet laureate,  was Joseph Auslander.  One of Auslander’s many accomplishments as a writer was an English translation of Petrarch’s sonnets.

In upcoming blog posts I’ll share poems from current and former poet laureates. Here’s a poem from the current Poet Laureate.

Sci-Fi

by Tracy K. Smith

There will be no edges, but curves.
Clean lines pointing only forward.

History, with its hard spine and dog-eared
Corners, will be replaced with nuance,

Just like the dinosaurs gave way
To mounds and mounds of ice.

Women will still be women, but
The distinction will be empty. Sex,

Having outlived every threat, will gratify
Only the mind, which is where it will exist.

For kicks, we’ll dance for ourselves
Before mirrors studded with golden bulbs.

The oldest among us will recognize that glow—
But the word sun will have been re-assigned.

To the Standard Uranium-Neutralizing device
Found in households and nursing homes.

And yes, we’ll live to be much older, thanks
To popular consensus. Weightless, unhinged,

Eons from even our own moon, we’ll drift
In the haze of space, which will be, once

And for all, scrutable and safe.


Tracy K. Smith, “Sci-Fi” from Life on Mars. Copyright © 2011 by Tracy K. Smith.

Warmth’s The Very Stuff of Poesy

t_e_hulme_gravestone

“A poem is good if it contains a new analogy and startles the reader out of the habit of treating words as counters.”

T. E. Hulme

Balatetta

By Ezra Pound

The light became her grace and dwelt among
Blind eyes and shadows that are formed as men;
Lo, how the light doth melt us into song:
The broken sunlight for a healm she beareth
Who hath my heart in jurisdiction.
In wild-wood never fawn nor fallow fareth
So silent light; no gossamer is spun
So delicate as she is, when the sun
Drives the clear emeralds from the bended grasses
Lest they should parch too swiftly, where she passes.


“Who hath my heart in jurisdiction. In wild-wood never fawn nor fallow fareth.” A wonderful line, yet its an example that Pound had yet to completely break free of the ties to classical poetry.  In Balatetta he was starting to bend them.  I have no idea how this poem came to be, but as someone who is fascinated by writing sonnets, I have a theory that this started out as a sonnet or he was consciously or unconsciously influenced by the sonnet structure.  It’s lines are constructed mostly of ten syllables.  The rhyming scheme further supports the theory, but what to make of the fact it has ten lines not fourteen?  Sometimes when I write I find I have said all I really want to say in fewer lines than fourteen or I edit out the fluff and lines get cut.  It would be fun to know what the real story behind the creative process on this poem.

One of the criticisms of Pound was that he was an “imitator”.  He borrowed liberally from the genius of others and found a broader audience for that creativity.  I do not find that a fault, as I think Pound furthered the discussion and built on the ideas.  Pound was a net-worker, a mentor, a connector of people, who inserted himself into the discussion among modernist thinkers and artists because he had something interesting to contribute. Where he can be faulted is trying to take more credit than he deserves for his “originality.”

One of the proof points those critics point to is that Pound’s ideas around image and his concepts of poetry were first formulated by T. E. Hulme, who died young in 1917 during WWI.  I admire Pound for building on Hulme’s work and insuring that it continued to influence his own and other’s writing after Hulme’s death.  Pound included five poems of Hulme’s in his book Ripostes and all five are striking examples of a poetic form that the Imagists would expand upon in years to come. Hulme wrote very little poetry that survives, but he was instrumental in the Imagist movement. Hulme defined image as the constant bombardment of sensory information before analysis. Image is the base of human experience.  Intellectualizing raw images, he argued, was constrained because language over-simplifies the nuanced complexity of what our eyes, ears, touch and taste experience and is therefore inadequate of our unfiltered reality.

I find it fascinating that Hulme’s ideas on poetry and image were profoundly impacted by his interactions with the philosopher Henri Bergson. Hulme sought out Bergson in France in the 1890’s to talk about Bergson’s writing. Bergson believed  there are two forms of awareness: one based on intellect, the other based intuition.  Bergson declared that intellect serves knowledge, whereas intuition serves to increase the enjoyment of life’s experience through the senses.  The idea of intuitive writing fueled the concepts that Hulme and Pound furthered in their poetry.

The decade before the start of the 20th Century was a time when science, physics, philosophy and art were still connected in creative thought.  Knowledge had yet to be partitioned into intense specialization that the great walls of minutiae had not yet been built. Bergson’s philosophy emphasizes the unexpected in novel thinking, the creative process and freedom. Bergson won the Nobel Peace prize for Literature in 1927 for his contributions on his theories around time, identity, free will, perception, change, memory, consciousness, language, and the limits of reason.

The concept that the totality of experience can not be put into words, spurred Hulme to reject the flowery, stilted language of classical poetry and experiment with a more visceral approach to verse.  He advocated for a poetic form stripped of unnecessary adjectives to allow the reader’s mind to free associate in creating their own image. Hulme felt that poetry could be a vessel for a wider array of the experiences of life if it were freed from convention.

“The artist tries to see what there is to be interested in… He has not created something, he has seen something.”

For a longer more complete overview of Hulme’s contributions to poetry check out the biography of Hulme in Poetry Foundation.

https://www.poetryfoundation.org/poets/t-e-hulme

 


The Embankment

by T. E. Hulme
……………(The fantasia of a fallen gentleman on a cold, bitter night.)
Once, in finesse of fiddles found I ecstasy,
In the flash of gold heels on the hard pavement.
Now see I
That warmth’s the very stuff of poesy.
Oh, God, make small
The old star-eaten blanket of the sky,
That I may fold it round me and in comfort lie.