All you have to do is write one true sentence. The truest sentence you know.
Edna St. Vincent Millay saw the tides of public sentiment regarding her writing wax and wane during her lifetime. She straddled the era of classical poetry and the emergence of new voices, a new poetic language. The writing of Walt Whitman, Wallace Stevens, Ezra Pound, William Carlos Williams, just to name a few, was evolving the accepted poetic style that would bring free verse to the forefront of American literature.
To the literary critics who stabbed and slashed at Edna’s prose in search of some kind of retributive analysis; I say phooey. I have no interest in literary critique as character assassination. I think the critics of her day suffered from the same character flaw strong independent women face today; criticism that hides behind misogyny. I prefer to invest my time as unabashed fan of Millay who brings a sense of humor and humanity to her poetry. Millay’s writing is filled with true sentences which stick with me long after the cover is closed.
Sometimes When I Am Wearied Suddenly
Edna St. Vincent Millay
Sometimes when I am wearied suddenly
Of all the things that are the outward you,
And my gaze wanders ere your tale is through
To webs of my own weaving, or I see
Abstractedly your hands about your knee
And wonder why I love you as I do,
Then I recall, “Yet Sorrow thus he drew;
“Then I consider, “Pride thus painted he.”
Oh, friend, forget not, when you fain would note
In me a beauty that was never mine,
How first you knew me in a book I wrote,
How first you loved me for a written line:
So are we bound till broken is the throat
Of Song, and Art no more leads out the Nine.
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